Dying makes you spawn back at the nearest safe-spot, there to try and return to the point of your death and regain your Souls. You collect Souls from your enemies to level up. Maybe the team was afraid to say that because “It’s like Dark Souls” is so played out now, but it’s true. The more prominent inspiration is Dark Souls. You do unlock new powers over the course of the game, allowing you to hover, triple-jump, attach to magnetic walls, walk through flames, freeze water, and so on. In the lead-up to Darksiders III, Gunfire continuously cited Metroid as an inspiration. Darksiders II went open-world, replacing Zelda with a Diablo-style loot grind.
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The original took cues from Zelda, leading War through a series of puzzle-filled dungeons with plenty of combat along the way. Darksiders tries to reinvent itself with every new game. The smart move is to play it safe-but no. Here’s this cult classic, this series that should’ve died and somehow miraculously was brought back. But with no real progression, hinging this story on her makes an already weak tale feel even less substantial. Death was too edgy for my tastes, but at least he and War had some depth to their characters. It doesn’t help that Fury is the least likable of the Horsemen by far. It didn’t feel like as necessary a story, but the plan still made sense when we thought there’d be a new Darksiders every two years.
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But the plan proceeded, and the events of Darksiders II started prior to the original, with Death trying to find and free his brother. It was spectacularly ambitious, especially for a series that was being termed a “Cult Classic” even by fans of its first Zelda-esque entry. And the cliffhanger? That would be the jumping off point for an eventual fifth game in the series, one that would unite all the disparate story threads. The plan was to make four Darksiders games, each starring one of the Four Horsemen. He spent most of the game figuring out who betrayed him and why, and it ended on one of the all-time best cliffhangers as War looked up into the sky to see his fellow Horsemen plummeting towards Earth to assist him against a universe-ending threat. After playing his part in the calamity, stomping through Earth and wrecking everything, he found out he’d made a mistake-the Apocalypse wasn’t supposed to happen, and he’d been set up. For the uninitiated: The original Darksiders starred War, one of the Four Horsemen of the Apocalypse. No release information has been unveiled at this time, so stay tuned.See, Darksiders III makes the timeline even more convoluted than before. Simon Ross executive produces alongside Oliver Brown and Keith Haviland. The Portrait was produced by Christian de Gallegos Films. The Portrait stars Natalia Cordova-Buckley (“Agents of S.H.I.E.L.D.,” “Bates Motel”), Ryan Kwanten ( Glorious, “True Blood”), Oscar nominee Virginia Madsen ( Candyman), Mark-Paul Gosselaar (“The Passage”) and Isidora Goreshter ( Clara’s Ghost).
In the film, “After her husband is devastated by a tragic accident, a devoted wife obsesses over a mysterious portrait that resembles him as he was, but when it starts to terrorize her, she must decide if it’s possessed or if she’s losing her mind.” The psychological ghost story is written by David Griffiths ( The Hunted) and will mark the feature directorial debut for Simon Ross. Head over to Deadline to watch the trailer now.
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A new trailer for psychological horror movie The Portrait asks this very question, setting the stage for a hallucinatory trip that sees its lead questioning her own mind.
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